The whirlwind of data and opinion surrounding climate change can be overwhelming; how do we form something meaningful and informative out of all of the figures, news, opinions and anxiety surrounding this topic?
Art connects us to the problem in a felt way, it encourages engagement, deep thinking, problem-solving and questioning.
The title of this exhibition (1.5 Degrees) comes from the challenge of the global community to limit global warming to 1.5 degrees (above pre-industrial levels). It is about the science of climate change, communicated in diverse and intriguing ways.
17 Artist from across Australia explore our relationship to the planet, through explorations of the juncture between science and art, and the very human response to the looming threat of climate change.
CURATOR NOTES | Autumn Tansey – Guest Curator (ABOUT) | ABOUT ART AVISO
Skunk Control Event and tickets
ASH COATES -Plastotrophic
POA
The word trophic derives from the Greek τροφή (trophē) referring to food or nourishment.
George Carlin:
“The planet will be here for a long, long, LONG time after we’re gone, and it will heal itself, it will cleanse itself, ’cause that’s what it does. It’s a self-correcting system. The air and the water will recover, the earth will be renewed. And if it’s true that plastic is not degradable, well, the planet will simply incorporate plastic into a new paradigm: the earth plus plastic. The earth doesn’t share our prejudice toward plastic. Plastic came out of the earth. The earth probably sees plastic as just another one of its children. Could be the only reason the earth allowed us to be spawned from it in the first place. It wanted plastic for itself. Didn’t know how to make it. Needed us. Could be the answer to our age-old egocentric philosophical question, “Why are we here?”
Plastic… asshole.”
Artist Statement:
Ecological pyramids begin with producers on the bottom (such as plants) and proceed through the various trophic levels (such as herbivores that eat plants, then carnivores that eat flesh, then omnivores that eat both plants and flesh, and so on). The highest level is the top of the food chain.
My work draws from images of both real and imaginary places within the body and the landscape, to examine the future of our environment, relationships between micro and macro worlds and the language, forms and networks that exist within our biosphere and beyond.
By making reference to biological processes within nature and the body, altering them and creating fictitious scenarios and relationships between them, I aim to examine and create dialog regarding the boundaries of what is internal/external and what is natural /artificial within the environment and the point where science meets science fiction.
PRICE: POA
ART AVISO PROFILE